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6469 film reviews available in total starting from 04/09/2002. Last updated on 14/08/2023. 716 film reviews inserted in the last 12 months.
LATEST
The Wall by Philippe Van Leeuw
04/07/2023
Philippe Van Leeuw looks at the equally inscrutable and unredeemable character of racism at the heart of a US Border Patrol, embarked on a manhunt that is most of all a hunt for anyone “other”
Say God Bye by Thomas Imbach
Swiss director Thomas Imbach sets off on a pilgrimage in search of his legend, Jean-Luc Godard, and the result is a road movie at once playful and profound
Everybody Calls Me Mike by Guillaume Bonnier
A pair of idealists sailing around the world take an enigmatic Djiboutian man on board to help cross the perilous Gulf of Aden in Guillaume Bonnier’s debut feature film
Empty Nets by Behrooz Karamizade
Behrooz Karamizade's debut feature shows how even the most ordinary Iranian citizens are only ever just a few strokes of bad luck and desperate decisions away from losing everything
Keeping Mum by Emilie Brisavoine
Émilie Brisavoine goes back in time to untangle her family’s painful fate in a captivating documentary directed with commendable passion and inventiveness
Blaga's Lessons by Stephan Komandarev
Bulgarian helmer Stephan Komandarev wraps up a social trilogy about the decay of his native land with his most uncompromising and least hopeful film yet
Snake Gas by David Jařab
Daniel Jařab’s film might be less intoxicating than its name and the idea behind it suggest, but it is still a decent take on Apocalypse Now in Europe
Sweet Sue by Leo Leigh
Leo Leigh’s feature debut is a darkly comic character study not unlike his father’s work, following an ageing singleton through the bleak modern dating scene
Dancing on the Edge of a Volcano by Cyril Aris
The inexhaustible spirit of Terry Gilliam’s on-set misadventures is all over Cyril Aris’s complex doc
Restore Point by Robert Hloz
Robert Hloz’s “Czech Blade Runner” marries retrofuturist cyberpunk aesthetics with an exploration of the nature of humankind that will captivate both mainstream and arthouse audiences
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