Reviews

6469 film reviews available in total starting from 04/09/2002. Last updated on 14/08/2023. 716 film reviews inserted in the last 12 months.

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L by Babis Makridis
03/02/2012
L'Animale by Katharina Mückstein
21/02/2018
BERLIN 2018: Katharina Mückstein’s second feature tackles the conflicts between who we are, how we want to be perceived, and how to free ourselves from social conventions  
L'Animale
Là-bas: A Criminal Education by Guido Lombardi
06/09/2011
Là-bas
La felicidad de los perros by David Hernández
21/11/2018
David Hernández makes his directorial debut with this portrait of the wanderings of a man in the grip of an existential crisis, filmed in black in white over three years between Galicia and Madrid  
La felicidad de los perros
La quattordicesima domenica del tempo ordinario by Pupi Avati
04/05/2023
Pupi Avati returns to the familiar ground of nostalgia in his new film about an absolute love and fading dreams, which he describes as his sincerest and most autobiographical work yet  
La quattordicesima domenica del tempo ordinario
LA QueenCiañera by Pedro Peira
05/11/2021
Pedro Peira follows Bamby Salcedo, a transgender Mexican woman who, before becoming a political activist, used to walk on the wilder side of life  
LA QueenCiañera
La Traviata, My Brothers and I by Yohan Manca
13/07/2021
CANNES 2021: Yohan Manca successfully overcomes clichés by creating credible relationships and a joyful tone in a coming-of-age tale involving three disadvantaged brothers  
Mes frères et moi
La vida lliure by Marc Recha
22/11/2017
Marc Recha's new film, which world-premiered at Gijón, returns to delicately dive into a childhood world and imaginary universes  
La vida lliure
Labyrinth of Lies by Giulio Ricciarelli
15/01/2016
Giulio Ricciarelli portrays a post-war period in which Germans under the age of 30 don’t know what a concentration camp is  
Im Labyrinth des Schweigens
Lada Kamenski by Sara Hribar, Marko Santic
16/11/2018
Croatian filmmakers Sara Hribar and Marko Šantić have crafted an engaging movie that comments on the industry and women's position within it, but falls short of its own ambition  
Lada Kamenski

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